This special issue of the journal Humanities (ISSN 2076-0787) is dedicated to a field that is currently experiencing a veritable explosion: contemporary historical fiction. In recent years the genre has been successful in securing coveted literary prizes and in attracting the efforts of some of the best contemporary writers of fiction. It also seems to have become the mode par excellence of addressing some of the most important issues faced in the present: climate change, war, dwindling notions of national identity in a globalised world, the ethical implications of scientific research, new understandings of sexual identity, and the redefinition of gender roles and gender relations, to name but a few, have all been addressed in contemporary historical fiction. This special issue invites contributions that reflect on the function of these imaginative returns to the past, and that consider what makes historical fiction seemingly the preferred mode for exploring these issues.
These questions are even more relevant at a time when the fallibility of historical narratives as means of representing the past – as well as the problems surrounding the notion of historical truth – are no longer under question. In addition, postmodern theory has also taught us to be distrustful of narratives that attempt to reproduce the real in a seemingly accurate fashion. Yet, contemporary historical fiction seems more intent than ever on doing just that: abandoning the overtly disruptive strategies of historiographic metafiction, it chooses instead traditional forms of narration that attempt to reproduce the past realistically. As a result, this new type of faux historical realism, also called ‘neo-historical’ fiction, runs the risk of pandering to the nostalgic desires of contemporary culture, apparently offering an easy escape into a refashioned past, away from the realities of an increasingly complex present. It also makes its potential for challenging the latter a lot more difficult to discern. This special issue therefore welcomes contributions that consider the motives of this type of contemporary historical fiction, the purpose it might serve, and whether it can in fact deliver the potential for change promised by more experimental forms of historical fiction.
Dr. Elodie Rousselot
- – contemporary historical fiction
- – neo-historical fiction
- – postcolonial historical novel
- – historical fiction for a global present
- – queering the past in contemporary historical fiction
- – historical fiction and trauma/war narrative
- – neo-Victorian literature
Manuscript Submission Information:
The deadline is 1 May 2019. Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All papers will be peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.
Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere. All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Humanities is an international peer-reviewed open access quarterly journal published by MDPI.
Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charges (APCs) of 350 CHF (Swiss Francs) per published paper are fully funded by institutions through the Knowledge Unlatched initiative, resulting in no direct charge to authors. Submitted papers should be well formatted and use good English. Authors may use MDPI’s English editing service prior to publication or during author revisions.